Free Download · For Writers Serious About Their Work
What is your manuscript missing?
The Serious Writer's Toolkit
Faculty of the VCFA Writers' Conference at CalArts · August 8–14, 2026 · Valencia, California
The conference holds 84–100 writers by design. Fewer than 50 spots remain for August 8–14.
30 Years of Serious Writers
MFA-Level Faculty
VCFA — One of the Most Respected Low-Residency MFA Programs in the Country
Now at CalArts
"Attending the VCFA Writers' Conference was an incredible benefit to my writing. The small group setting for workshop enabled us to focus more deeply on exactly what each writer needed for their work-in-progress. Meeting one-on-one with my workshop advisor gave me additional insight into my work and real world information on the publishing industry. I loved spending time with people who love writing as much as I do — the atmosphere was invigorating and motivating."
Jayda Skidmore, MFA
Vermont College of Fine Arts — Writing (Fiction/CNF) · Center for Arts and Social Justice Fellow 2025
The writer's dilemma
We know what it costs to take your writing seriously in a world that rarely does.
We know the loneliness of the desk, the years of working without the right readers, the hunger for a room full of people who understand exactly what's at stake in a sentence.
1
Workshops near you don't push hard enough
Too beginner-friendly, too cautious, or too disconnected from writers operating at your level of commitment.
2
The feedback you've gotten has been vague
"I liked it" and "I wanted more" don't tell you what to do next. Rigorous craft tools and honest readers do.
3
Geography has kept the serious room out of reach
For 30 years, writers in the West have traveled east for this. This August, the room comes to you — at CalArts.
4
You wonder if you're serious enough to belong
The writers who find us are almost always the ones who wonder if they're serious enough. That wondering is the proof.
From the conference director
For 30 years, this conference has been that room.
Not the writer who is curious about writing — the one who cannot stop. The one who reads other writers closely, sometimes with admiration, sometimes with envy. The one who carries a manuscript around like a low-grade fever, returning to it early in the morning or late at night, convinced it is almost there.
These tools are not rules. What they can do — if you work through them honestly with your actual manuscript in front of you — is help you see what the work is already doing and where it might want to go next.
Now, at CalArts — one of the world's great creative campuses — with faculty who have spent their careers in the room with serious writers, we're building it again. Better. More alive than ever.
Adam McOmber
Conference Director, VCFA Writers' Conference at CalArts
Co-Chair, VCFA Writing Program · Editor in Chief, Hunger Mountain
"The questions matter more than the answers. The answers are yours."
The VCFA Writers' Conference is built on the same idea. We do not arrive with a template for good writing. We arrive with attention — close, rigorous, generous attention to the work you bring.
The conversations that grow out of that — between writers who have taken each other seriously — are often the most useful conversations a writer can have.
"Thirty years of proof that serious writers change in this room."
Who you'll work with
The faculty of the VCFA Writers' Conference at CalArts
Workshops of six writers. A one-on-one faculty consultation for every participant. Faculty selected because their work and their teaching both belong in the serious room.

Miciah Bay Gault
FictionThe Hot Wheels Workshop
Finds each writer's most enchanting narrative impulses and asks where you can lean into them harder. Inspired by George Saunders.

Christine Sneed
FictionThe Long and the Short of It
Flash, short stories, or novel chapters — close attention to how small narrative units create resonant, cohesive works.

Mansi Shah
FictionVoice Igniter Workshop
Uncover an authentic voice rooted in personal truths — family dynamics, cultural tensions, identity — and transform your work into propulsive fiction.

Sue William Silverman
Memoir & CNFMetaphor Bootcamp
For the writer who has the story but hasn't found the form. How metaphor via images from a particular life reaches shared human experience.

Harrison Candelaria Fletcher
Memoir & CNFNonlinear Workshop
Nonfiction composed using juxtaposition, metaphor, and association. Intentions, strategies, and possible pitfalls of nonlinear prose.

Angela Morales
Memoir & CNFInterrogating the Memory
For memoirists who've wondered: Is this memory valid? Why am I obsessed with this story? Interrogating our reasons for telling adds crucial depth.

Vandana Khanna
PoetryPoetry Workshop
Image, lineation, tone, structure — how a poem establishes momentum, sustains tension, and arrives at its conclusion.

David Wojahn
PoetryPoetry Manuscript Workshop
Writing and arranging book-length collections. Two workshop hours daily — individual poems and full manuscripts — plus individual conferences.

edwin bodney
PoetryPoetry in Motion — Spoken Word
How a poem changes when it breathes. The dynamic between page craft and stage presence.

Erin La Rosa
RomanceRomance Novel Architecture
Structure a romance so intimacy deepens over time, conflict escalates organically, and the final reunion feels both inevitable and earned.

Evan Griffith
MG & YAThe Cozy Workshop
What makes a story cozy — and how to cultivate it to enchant and comfort young readers. PBs through YA welcome.

Richard Hatem
LA / Film & TVThe 7 Elements of a Television Show
Writer of The Mothman Prophecies. One of the only faculty at any literary conference who can say: I have done both.

Spiro Skentzos
Film & TVThe First Fifteen — Screenwriting
100+ TV episodes including Arrow and Grimm. The critical first 15 pages of your drama, comedy, or feature.

Emmy Lou Diaz
Film & TVCharacter is Story
Character wants, obstacles, and choices — and how that tension drives scenes, arcs, and unforgettable scripts.
Send Me the Toolkit
Free. Instant access. No credit card. Apply it to your manuscript this week.
Step 2 of 3
Reserve your place
at CalArts
Download the Toolkit → Reserve your place → Leave changed.
Not with a certificate. With a clearer voice, a stronger manuscript, and a cohort of writers who know your name and your work. The isolation is broken. The work is no longer just yours alone.
The conference holds 84–100 writers by design — because the intimacy is the point. Each workshop has just six writers. Every participant gets a private one-on-one hour with their faculty instructor. And the informal conversations over meals, between sessions, and late into the evening? Those are part of the curriculum too.
Learn more & register →
Valencia, CA
Just north of Los Angeles
6 Tracks
Fiction · CNF · Poetry · Romance · YA · Screen
6 Writers
Per workshop — intimate by design, not by accident
1-on-1
Private hour with your faculty instructor — plus informal conversations all week
30 Years
Of proof that serious writers change in this room
The serious room —
finally in the West.
For 30 years, writers in Los Angeles, the Bay Area, the Southwest, and the Pacific Northwest have traveled east for this conference. This August, the conference comes to them — on the CalArts campus in Valencia, California. Same rigor. New address. One week at CalArts.
Austin · Denver · Phoenix · Albuquerque · Los Angeles · Portland · Seattle · San Francisco · Boise · Tucson
Six genre tracks
Whatever you write, there's a workshop for it
Fiction
Creative Nonfiction
Poetry
Romance Novel
Young Adult & Middle Grade
Writing for Film & TV
What writers say
30 years of serious writers. One week that changes everything.
"There is something magical going on up there. I think you have perfected the writers' conference as we know it."
Lisa Hartz
Past participant
On the experience overall
"Best week of my writing life."
Ann Carson DeWitt
Past participant
On the community
"What a wonderful experience. It really felt like a conference of peers."
Nathan Long
Past participant
On the format
"I love that there is no border between students and teachers. A true creative community."
John Hudson
Past participant
On value
"One of the most positive experiences I've ever had, and definitely the most valuable conference I have attended."
Rebecca Caum
Past participant
An honest question
Your work deserves a room that takes it seriously.
Not every conference is the right fit at every stage. Here's our honest read.
This conference is for you if —
→You have a manuscript in progress — not an idea, a manuscript — and you're ready for skilled outside eyes on it.
→You know something isn't working but can't quite name it from the inside.
→You want to be in a room with writers who take the work as seriously as you do.
→You're ready to hear something true about your manuscript, even if it's harder than you hoped.
→You write fiction, nonfiction, poetry, romance, YA, or screenwriting — and want to go deeper into the craft of your form.
This might not be the right moment if —
—You're still in early stages and the work needs more time alone with you first.
—You're primarily looking for a retreat or writing vacation rather than an intensive with high expectations on both sides.
—You need mostly encouragement right now rather than rigorous engagement — there's a time for that, and a time for this.
—You're not yet ready to share your manuscript with a small group of peers.
"If you read the left column and felt something — a quiet recognition, a small lean of relief that someone named the thing you've been carrying — then you already know. This is for you. Come."
— Adam McOmber, Conference Director
Step 1 of 3 — Free · Instant · No credit card
Start here.
Download the Toolkit. Use it this week. Then join us in Valencia this August — while there's still a place for you.
Ready to register? Reserve your place at CalArts → · Fewer than 50 spots remain.